NYFF

Scott McGehee and David Siegel wrote and directed the film based on Sigrid Nunez's book that will be released theatrically in 2025.

"It took me a long time to decide how much of it could be part of the film," Dea Kulumbegashvili told IndieWire of a murder she saw while researching her abortion drama in a Georgian village. She knew the victim. And the killer.

Can Janus/Sideshow's festival breakout "All We Imagine as Light" land a Best Picture Oscar nomination?

Huppert talks to IndieWire about the connections between "Babygirl" and "The Piano Teacher" and addresses an alleged feud that occurred with fellow Venice juror James Gray at Cannes in 2009.

NYFF: Saoirse Ronan stands out from a surprisingly conventional World War II movie that can struggle to accommodate its director's singular vision.

NYFF: Now in her nineties, Sara Jane Moore sits down for a tense but revealing interview about what radicalized her into firing two bullets toward a sitting U.S. president.

NYFF: The sole survivor of a plane crash becomes the miracle her missionary father has been waiting for in Pia Marais' potent but emotionally diffuse drama.

As he tells IndieWire, stars Tilda Swinton and Julianne Moore made it possible, but the director lost a few battles.

"The Loneliest Planet" filmmaker Julia Loktev returns with this five-and-a-half-hour documentary thriller about the brave Russian journalists who risk their lives to report the truth.

NYFF: Ryuichi Sakamoto's son makes his narrative feature debut with this sterile but touching story about teenagers confronting the near future.

On this week's episode, we also share a Venice Film Festival interview with Alex Ross Perry on his music documentary hybrid "Pavements," making its U.S. premiere at NYFF.

Matthew Rankin's "Universal Language," Matías Piñeiro’s "You Burn Me," and Guillaume Cailleau and Ben Russell’s "DIRECT ACTION" also round out the Currents section.