Damien Chazelle’s divisive masterpiece “Babylon.”</a> Her favorite film is Gillian Armstrong's "Little Women" (1994), and she loves the work of David Lynch, Jane Campion, Agnès Varda, Georges Méliès, Joan Crawford, Kay Francis, Richard Gere, and Ethan Hawke. </p> <p>You can find her posting photos of obscure silent film actresses on <a href=https://www.indiewire.com/author/marya-e-gates/"https://www.instagram.com/oldfilmsflicker/">Instagram and <a href=https://www.indiewire.com/author/marya-e-gates/"https://twitter.com/oldfilmsflicker">Twitter.

" /> Damien Chazelle’s divisive masterpiece “Babylon.”</a> Her favorite film is Gillian Armstrong's "Little Women" (1994), and she loves the work of David Lynch, Jane Campion, Agnès Varda, Georges Méliès, Joan Crawford, Kay Francis, Richard Gere, and Ethan Hawke. </p> <p>You can find her posting photos of obscure silent film actresses on <a href=https://www.indiewire.com/author/marya-e-gates/"https://www.instagram.com/oldfilmsflicker/">Instagram and <a href=https://www.indiewire.com/author/marya-e-gates/"https://twitter.com/oldfilmsflicker">Twitter.

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Pamela Anderson in 'The Last Showgirl' Parallels 'Dance, Girl, Dance'

Marya E. Gates

    Marya E. Gates is a freelance film writer based in Chicago. A fifth generation Californian, she studied Comparative Literature and French Literature at U.C. Berkeley, and also has an overpriced and underused MFA in Film Production from an unnamed university in San Francisco.

    In 2010, she founded the movie holiday known as Noirvember, and in 2015, she spent the entire year watching nothing but films directed by women in a project called A Year with Women.

    Before turning to writing full time, she worked in social media marketing and editorial for Warner Bros., Rotten Tomatoes, Turner Classic Movies, FilmStruck, and Netflix Film. She is currently working on a book of interviews for Rizzoli tentatively titled "Cinema Her Way: Visionary Female Directors In Their Own Words" and writes a monthly interview column for RogerEbert.com called "Female Filmmakers in Focus."

    Although a generalist at heart, her areas of particular interest include female directors, film noir, and the silent film era. She has written on these subjects and more for RogerEbert.com, The Playlist, Crooked Marquee, Moviefone, Emmy Magazine, Nerdist, Inverse, Oscilloscope Musings, Dazed, byNWR, Polygon, InStyle, and Vulture. She is particularly proud of her breakdown of the silent film history that inspired Damien Chazelle’s divisive masterpiece “Babylon.” Her favorite film is Gillian Armstrong's "Little Women" (1994), and she loves the work of David Lynch, Jane Campion, Agnès Varda, Georges Méliès, Joan Crawford, Kay Francis, Richard Gere, and Ethan Hawke.

    You can find her posting photos of obscure silent film actresses on Instagram and Twitter.

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