Movies

The "Moonlight" director follows up Jon Favreau's 2019 photorealistic animation with a story fit for VHS.

The "Vox Lux" director returns with the sprawling tale of an immigrant architect who devotes his life to building a masterpiece for Guy Pearce.

Shot almost entirely in the first-person, Ross' visionary masterpiece injects radical new life into a novel about the racial abuse at a Florida reform school.

An evil Jason Bateman needs to smuggle some killer cargo aboard a plane in this fun and gripping holiday treat from the director of "Non-Stop" and "The Shallows."

An inspired villain turn from Alessandro Nivola is all that elevates this above a "Madame Web"-level misfire.

Combining shots from his own films with historical footage and classic Hollywood imagery, Carax's 40-minute screed makes it clear that the "Holy Motors" director hasn't come any closer to understanding why he makes the films he makes.

James Mangold's evocative biopic is far too straightforward to meaningfully engage with one of America's most iconoclastic artists.

Combining the "Lord of the Rings" Appendices with a Studio Ghibli homage isn't a bad idea, but the execution leaves a little — or a lot — to be desired.

Without gods and monsters, Uberto Pasolini's dysfunctional family drama spin on the Homer odyssey lacks heat.

Schrader mixes styles and approaches for his most experimental film in years, but the drama about an ailing filmmaker starring Richard Gere and Jacob Elordi as that same person gets too often lost in its own ambition.

Stirring moments become forgettable treacle when piled on top of one another.

Frost writes and stars in Steffen Haars' horror comedy as a dorky dad whose family vacation to a remote Swedish island takes an unexpected turn.